Tramsheds

Tramsheds, 2011. Photo by Tim Brooks.

Those old trams were like wrecked ships in the swirling murk
of an underwater crypt. We passed through in shoals –
some with cameras, some with rope. To enter,
we’d break in through a hole in the fence, ignoring the sign,
rusted and bent: TRESPASSING IS PROHIBITED
and pass from sparkling order into shadowy neglect.

Back then, in Glebe, us weirdos could afford the rent.
But much can change in a decade. The only trams now in this locale
are functional, modern, swift – transporting the Great Washed
to respectable jobs – the carriages defaced not with spray paint
but ads. The sheds are unrecognisable –
gentrified and desecrated – entry is via escalator.

It’s Sydney’s Most Dynamic Food Destination, but you can’t get
a sandwich – the closest thing is a croque monsieur, topped
with a duck egg. The exposed kitchen reveals the chefs –
tattoo embellished, ironically bopping to Elton John,
proud of their ethical lifestyle choices.
Sixteen bucks – the sandwich is oily, hard to eat, and heavy.

Above the fluorescent overheads you can see the original rafters.
Up there, time is still suspended – particles of light in stasis.
Ten years ago, I was a witness – I saw past civilisation’s façade
to entropy. It was humbling and strangely comforting.
We fear what these spaces represent
so we make them functional again. The weirdos will go elsewhere.

 

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